Journalists pay tribute to media colleagues killed in Gaza and the Gaza-Israel conflict


Mary Page, an executive member of the SWE branch of the NUJ, reads from the list of more than 150 journalist killed in the Israel-Gaza conflict since the October 7th attacks, the vast majority of them in Gaza. Photo: Simon Chapman
Mary Page, an executive member of the SWE branch of the NUJ, reads from the list of more than 150 journalist killed in the Israel-Gaza conflict since the October 7th attacks, the vast majority of them in Gaza. Photo: Simon Chapman

THE DEATHS of more than 150 journalists in the Israel Gaza conflict were commemorated in a solemn ceremony by members of the SW England branch of the National Union of Journalists. 

Members read out the names of each of those who have died, mostly as a result of Israeli military action, since the October 7th attacks on Israel by Hamas in 2023. 

The sad roll call included the names of 134 journalists in Gaza, eight in Lebanon, one in Syria and four in Israel. 

The numbers given were those which the International Federation of Journalists has been able to verify – the real number of deaths in Gaza in particular is likely to be higher. 

Addressing the gathering on December 10, branch  chair Paul Breeden stressed that the NUJ does not take sides in the Israel/Gaza conflict. The life of each journalist is mourned equally, and the NUJ is calling on all sides in the conflict to hold an immediate ceasefire and for the release of all the hostages taken on October 7th. 

He recounted the stories of several Palestinian journalists, including Mohamed Al-Masry and Hossam Shabat, who was attacked with his colleagues by the Israeli military even though their car and their clothing were clearly marked as Press. 

There have been numerous reports from journalists in Gaza that they are deliberately targeted by Israeli forces, Breeden said. The NUJ and the IFJ are calling on Israel to meet its international legal obligations by ensuring the safety of journalists. The two organisations are also urging the International Criminal Court to speed up its investigations into the killing of journalists by Israel, a process which started in 2022, well before the October 7th attacks. 

Breeden also showed the gathering a photo of retired Israeli journalist Oded Lifschitz, 83, who was taken hostage on October 7th and who has not been heard from since. In his working life, Lifschitz covered the attacks by Israel on refugee camps in Lebanon in 1982 and tried to promote cooperation between the Jewish and Palestinian communities. 

The event ended with two poems. Branch member Alex Morss read “Do not despair, my love“ by Rolla Selbak. Mike Jempson then read his own poem, “The Objective I“. 

Mike Jempson reads his poem, The Objective I, about the perspective of a journalist, at the SWE NUJ vigil on December 10. Photo: Simon Chapman
Mike Jempson reads his poem, The Objective I, about the perspective of a journalist, at the SWE NUJ vigil on December 10. Photo: Simon Chapman

Do not despair, my love

by Rolla Selbak [slightly adapted by Alex Morss]

Do not despair, my love

I know your name…

It was in the morning dawn

In the rubble…

In the sky…

In my arms…

Your name is with me

I saved it

You gave your story with your last breathe

And I saved your story

Do not despair, my love

I know your name

They said they were chosen

And they took… your heart

But we know… every accusation

Is confessed… in the dark

Do not despair, my love

I know your name

Like the world, entire

And the only light they’ll know is from the blazes of their own fire

Do not despair, my love

I asked the sky, to save your name

And it broke open …

And cried…

And the whole world cried…

They said… you were the dark

The deserved…

The unforgivable…

But I know your name

I know your story

I know your bravery and your truth

And I know… the one thing,

you and your truth will never be

In this this world…

Is alone

The Objective ‘I’?

(The eye of the journalist)

By Mike Jempson

When we report the world

we describe a kaleidoscope.

The essential elements may always be the same

but each person has a different view.

Each time each person looks, the pattern changes,

as do the circumstances of the viewing

and the language each chooses to interpret

what we see.

Only one thing is certain:

there is no one, simple, accurate description.

The best we can offer is an honest account

of the impression we gained from our tunnel vision,

and let others have their say.

Perspective comes

when we acknowledge

that those without access to the kaleidoscope

have a different tale to tell.

©Mike Jempson (2000)

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